SCREW #754, art by Tim Johnson

SCREW #754, art by Tim Johnson, 

dated January 7, 1983

FARE THEE WELL, SMUT PEDDLER: Al Goldstein RIP (1936-2013)

Al Goldstein has taken the elevator to the big edit meeting in the sky. 

I'll leave the obit-writing to the professionals.

You'll find those here: http://www.nytimes.com/2013/12/20/nyregion/al-goldstein-pioneering-pornographer-dies-at-77.html?pagewanted=all

And here: http://observer.com/2013/12/al-goldstein-founder-of-screw-magazine-has-died/

All I have to add is this: Some people rear up in horror at the sight of pornography, and there's not much to be done about that. When considering porn, I think it's important to keep this in mind: some of our greatest artists and writers, (along with countless hacks) have turned to porn in the interest of scraping together a living. What they may have been surprised to discover in porn, (along with a modest paycheck) was artistic freedom. And THAT'S what I owe Al Goldstein.

SCREW #1,349, cover art by Kim Deitch

Collector Thomas Stein recently put in a request to see the one and only SCREW cover drawn by underground comix legend Kim Deitch. It just so happens I have a copy, and here it is! 

I chatted with Kim Deitch about SCREW a few years back. A frequent contributor to '60s hippie papers like the East Village Other, Kim told me that the secret to the success of those publications was that they generally included one or two photos of nude hippie gals. Such photos were guaranteed to pique the prurient interest of curious straights. When Al Goldstein and Jim Buckley launched SCREW in 1968, their strategy was to outdo the hippie papers by cramming the pages of their nascent sex tabloid with oodles of naked hippies in full filthy frolic. SCREW would remain a going concern for nearly four decades, while the East Village Other and its psychedelic brethren evaporated almost as quickly as a DMT trip.

The issue is dated January 9th, 1995. 

The Forgotten SCREW Cover Art of Tony Millionaire

MAAKIES cartoonist Tony Millionaire has been giving me shit over some mildly risque designs I drew recently for BROKEN SKATEBOARDS, (available for purchase here: http://brokenskateboards.nl/products/ ) so I thought I'd dig deep into my archives in order to spend the next few weeks exploring the forgotten SCREW cover art of Tony Millionaire.

Known to today's readers primarily as a children's author, few would suspect that the avuncular creator of wholesome properties like BILLY HAZELNUTS and TONY MILLIONAIRE'S SOCK MONKEY™ was in earlier decades impoverished enough to turn up, hat-in-hand at the door of  at 116 West 14th Street in NYC, address of the World's Greatest Newspaper? Truly those must've been dark times.

Millionaire's SCREW cover drawings, while in no way erotic, are interesting nonetheless for the peek they offer into what is clearly a uniquely disturbed imagination. Let's begin our exploration with SCREW #1,416, dated April 22nd, 1996: the cover drawing shows a creature, (most likely an ape) dressed in human clothing, preparing to reap a harvest of what are apparently human breasts, while a nude woman watches angrily from a perch in a nearby tree.

This unsettling image leaves the viewer with a multitude of questions: what does the simian gardener plan to do with his vegetables post-harvest? Is he engaged in some evil experiment involving genetically-altered crops? Why is the nude woman displeased? Is she the monkey's spouse, and if so, is she jealous of the attention being showered on this garden of human breasts? Why would a woman be married to a monkey, and more importantly, how did this cover drawing, laden with implications of bestiality, slip past SCREW's guidelines banning any depiction of human/animal relationships?

Perhaps its best not to ponder the meaning of this drawing too long. I fear that in this case, the search for understanding will send the viewer down a twisting tunnel that leads to confusion, despair, and ultimately madness. More Millionaire next week!

Cover Art for SCREW #1412, featuring cover artist Natpink (?)

Earlier this week, I received an email from a reader of this blog, asking if I could help him track down an issue of SCREW that featured a Li'l Abner parody, (as listed in some Denis Kitchen publication). I immediately remembered the issue, mainly because the Li'l Abner cover and accompanying interior strip had been so well drawn. However, I couldn't recall the artist's name, nor did I believe that I had the issue in my archives.

After a quick rummage through my stack, I was pleased to discover that I do indeed have the cover, (although tragically, I failed to save the strip). I now post that cover in the hope that it will at least partially satisfy the reader's quest. Not only don't I have the accompanying strip, but I can't issue a firm ruling on whether or not the signature "Natpink" indicates a pseudonym, (which I suspect is the case) or the talented artist's real name. What I can say for sure is that the issue dates from March 25th, 1996.

While Issue #1412's cover is fairly tame in the titillation department, it more than makes up for this shortfall with dazzling drawing chops, as well as dead-on stylistic mimicry of well-known syndicated cartoon characters. "Natpink" also makes skillful use of SCREW's classic limited palette, (two colors plus black would be the norm for SCREW until the Fall of 1996, when the paper went full color). Apart from one or two murky spots, (an inevitability when working with newsprint) the colors are varied and well-chosen.

It's a nice one. I just wish I knew who drew it.

(ADDENDUM on 7/16/09: the same reader who initially asked about this cover has done some research, and now tells me that the drawing is most likely the work of cartoonist Pat McKeown. I'm not familiar with Pat McKeown's work, but if he drew this cover, he's damned talented).

Cover Art for SCREW #1716, featuring cover artist Hawk Krall

Here's a late issue of SCREW drawn by Philly cartoonist & chef Hawk Krall. At least I assume that the issue dates from the paper's waning months, since Brooklyn DA Charles Hynes is being chastised in the cover lines. It was Hynes who prosecuted the employee harassment case against Goldstein that drove the final stake into the bloated pornographer's black heart.

This is definitely a pre-bankruptcy issue, published while Goldstein was still in charge, (SCREW #1804 being the first issue of SCREW's brief post-bankruptcy, post-Goldstein period, roughly December 2005-November 2006). I'm guessing that this is a Fourth of July cover, seeing as there's a bigass flag waving proudly behind the big asses.

Dating this issue is pretty much impossible for me, since this cover comes, not from my own moldering archives, but from Hawk's personal collection of SCREW covers. Hawk contributed a wonderful strip to my recent book TYPHON Vol.1, (available here). At a recent TYPHON event, Hawk was kind enough to hand me a disc containing scans of several of his own excellent SCREW covers, as well as some choice selections from SCREW's bygone days. And so, SCREW #1716 is just one of several covers I'll be offering from the Hawk Krall collection in the weeks to come. When you're done looking at SCREW #1716, why not check out Hawk Krall's website? I'm sure you'll enjoy the visit.