The aspect of Dave's personality that I remember most clearly is that he was incredibly witty, perhaps the wittiest person I've ever known. He often said things that were devastatingly funny, he had a comedian's sense of timing, and he knew how to put you in your place gently but firmly whenever the situation required it. He was also a voracious consumer of alternative culture. If you'd just discovered something weird and fascinating, the chances were pretty good that Dave already knew about it, and had moved on to something even weirder and more obscure. This was a very hip guy.
During the five years I knew him, Dave Clark underwent something of a metamorphosis. When we first met, he appeared to me to be a shy, smarter-than-average nerd, someone who wouldn't look out of place at a comic book convention. Before too long, Clark had reinvented himself as a tattooed, black leather clad denizen of the underworld, with a personal life so edgy, so tumultuous, his misadventures occasionally made the papers.
Around 1995 or 1996, Dave left his SCREW gig to relocate to the West Coast, and I lost touch with him. We had a few friends in common, from whom I learned that Clark was now directing artsy porn videos in LA. Only in this last year did I finally manage to reconnect with him on Facebook, where I was delighted to exchange a few quips with my old friend.
Dave Clark's appetites signaled that he was unlikely ever to occupy an old age home, yet I was shocked and saddened to learn that we lost him on November 28th, 2009, one year shy of Fifty. Filmmaker Charles Pinion, (a former SCREW staffer and close friend of Clark's) tells me the cause of death was a "pulmonary embolism." Whatever that is, I hope it was quick and relatively painless.
More than a few SCREW cover concepts were fed to me by the always-imaginative Clark, (including the Coffin Joe cover I posted on June 26th at Dave's request). I may post more of those later, but what I'd like to post now are two SCREW covers I drew in the early 1990s that featured likenesses of Dave Clark.
The first is an Easter cover dated April 16th, 1990. The idea here, (and I can't remember who came up with this idea) was to show Christ at the Last Supper, with SCREW's editorial staff cast in the roles of the Twelve Apostles, (although I only count nine apostles in this drawing). The folks depicted in this drawing are, left to right: (top row) Managing Editor Manny Neuhaus, Lennie Mace, publisher Al Goldstein, JC, John Walsh, David Aaron Clark, Charles Pinion, (bottom row) Art Director Kevin Hein, Keri Rosebraugh, and Cheryl Giordano.
The second cover, dated February 24, 1992, recreates an evening I spent accompanying Dave and SCREW Editor Eric Danville on their mission to a strip club in Rego Park, Queens, where we watched a porn starlet dance, (inadequate porn scholar that I am, I can't remember this gal's name). Clark and Danville are shown at the lower left, (the rest of the audience members are imaginary miscreants).
*ADDENDUM: the more-than-adequate porn scholar Eric Danville informs me that the dancing starlet in this drawing is none other than Madison. Upon viewing this illo, those of you who are familiar with Madison may exclaim, "that doesn't look like Madison!" In my defense, I will say that in 1992, as a newcomer to the ways of caricature, my efforts in this area could be counted on to fail as often as they succeeded. It is with deep humility that I now offer to Madison, (and to Mr. Danville, who some of you know to be far cuter than he appears in this drawing) my sincerest apologies.
Rest in peace, Dave.
